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The gallant knight climbs up the Glass Mountain. The Aarne–Thompson–Uther tales types ATU 530, 531 ( The Clever Horse) and 533 ( The Speaking Horsehead) fall under the umbrella of Supernatural Helper in the folk/fairy tale index and pertain to a cycle of stories in which a magical horse helps the hero or heroine by giving advice and/or instructing him/her. Dzagurov formulated a hypothesis that the versions with the tower developed in a southern region (possibly the Caucasus), migrated northwards via Russia and merged in Finland with the motif of the glass mountain - a motif that, to him, appears very late and seems to be geographically limited. In his Übersicht über einige Resultate der Märchenforschung, Krohn argued for a migration of the narrative from India, through Asia Minor and into Europe, until reaching Western Europe. Īnother hypothesis was developed by Kaarle Krohn. According to Honti, the setting of the engagement challenge, the country of Naharanna or Nahrin, in ancient Syria, was famed for its high-towered constructions - and excavations give support to this claim. Honti, in an opposite view from that of Boberg's, observed that she did not seem to be aware of the Ancient Egyptian story of The Tale of the Doomed Prince. She also suggested that Finnish variants derived in part from Sweden and in part from Russia, variants among the Sámi originated from Norway, and Hungarian tales came from their neighbours. Since variants are found among Germanic, Slavic, Indian, and Romano- Celtic peoples, and the main type (the princess sitting on the Glass Mountain) is distributed throughout Northern, Eastern and Central Europe, Boberg concluded that tale "came from the ages of Indo-European community". Researcher Inger Margrethe Boberg, in her study of the tale type through the use of the historic-geographic method, argued that the tale type must have originated with an equestrian people. El-Shamy, Emmanuel Cosquin, Kurt Ranke) that the origins of the tale type may have been first recorded in Ancient Egyptian literature, in The Tale of the Doomed Prince, wherein a prince needs to reach the princess's window by climbing a very tall tower.
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It has been suggested by scholarship (e.g., Carl von Sydow, Hasan M. His brothers said that he sat in the ashes all three trials, but the king sent for him, and when questioned, Boots produced the apples, and therefore the king married his daughter to him and gave him half the kingdom. The king ordered everyone to appear, and in time Boots' two brothers came, and the king asked if there was anyone else. The third trial, he went in the equipment of gold, rode all the way, and took the third apple, but still rode off before anyone could catch him. The next trial, he went in the equipment of silver and rode two-thirds of the way, and the princess threw the second apple to him. He took the apple and rode off too quickly to be seen. The princess was much taken with him, and when he rode one-third of the way up and turned to go back, she threw an apple to him. The day of the trial, Boots's brothers refused to take him, but when the knights and princes had all failed, a knight appeared, whose equipment was brass. She sat on the mountain with three golden apples in her lap whoever took them would marry her and get half the kingdom. The king of that country had a beautiful daughter and had decreed that whoever would marry her must climb a glass mountain to win her. The next year, the equipment for the horse was in silver, and the year after that, in gold. When he returned home, he denied that anything had happened. He threw the steel from his tinderbox over it, which tamed it.
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Next to it was a saddle, bridle, and full suit of armor, all in brass. At the end, he heard a horse and went outside to catch it eating the grass. The third, Boots also called Cinderlad, was despised by his brothers, who jeered at him for always sitting in the ashes, but he went the third year and stayed through three earthquakes. He set his sons, one by one, to guard it, but the older two were frightened off by an earthquake. Illustration by Kay Nielsen for East of the Sun and West of the Moon: Old Tales from the North (1914).Ī farmer's haymeadow was eaten every year on the Eve of the Feast of St. The princess holds three apples, to deliver to her liberator.
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